Written by Olav Aalberg: badiu "at" tabanka.no
Updated January 2009
...
Batuku dancers on the Capeverdean women´s day Nha Nacia Gomi, queen of batuku
Batuku,
sambuna, and finacon
Batuku originated on the island of
Santiago and is the expression of the people´s collective memory and
identity,
developed after work in the fields at improvised gatherings and community
festivities. Batuku is basically a female activitiy.
In batuku, women strike (often
polyrhythmically) the txabeta, a bale of cloth (see my article on
pano)
rolled up and squeezed between
the knees. Batuku is divided into sambuna and finason. In the sambuna,
rythm prevails over lyrics, and there is dancing to it.
Batuku on the web
Traditional batuku:
Read about cimboa - the one-stringed fiddle accompanying batuku sessions

In finason the singers improvise words
according to a predefined theme, which may be related to the audience and
circumstances, but a certain structure is obeyed. Today, N´toni denti
d´Oro a man in his late seventies, is one of the last persons alive who
knows how to do it.
As the style requires 4, 6 or 8 lead singers, each improvising 10 phrases
on a predefined theme, it is no more to be heard in its proper form.
There are other ideas on the structure of these rythms, for example Tomé
Varela da Silva, in his rather unique documentation of three of the most
acknowledged batukaderas, Nha Gida Mendi, Nha Bibinha Cabral, and Nha
Nacia Gomi.
Da Silva does not mention the necessity of several singers to perform a
proper finason, but he does, however, describe a session, where two
singers sing ”together”.
These books are difficult to come by, not to mention read, as they are
all written in Santiago style kriolo.. But - hey, what better reason to
finally learn Kriolu?
|
Grupo Boa esperança |
Mondon |
Sons d´ Àfrica |
00296-2 |
2000? |
|
|
Nacia Gomi |
Nacia Gomi cu sê mocìnhos |
Sons d´`Africa |
285 |
1999 |
The queen herself |
|
Nacia Gomi |
Fínkadu na Raíz | AV produções |
- |
2005 |
Recorded and mixed at Kapital studios, Praia, Cape Verde |
|
Nhamita Pereira |
Pachêncha!!! Agù na
labada kôbi ta sèca |
Atlantic Music |
AM 2219-99-05-27 |
1999 |
I am told Nhamita died a few years ago.. |
|
Nhamita Pereira |
Batuque et Finaçon | Ocora | C 560151 |
2001 |
Recorded in Holland. Nhamita died shorlty after these recordings. |
|
Ntóni Denti d´Oro |
Batuque et Finaçon |
Ocora Radio France |
C 560132 |
-98 |
The only male batukadero I have ever
heard of. A great record by a most fascinating man!! Listen to the
cimboa! |
| Pó di terra | Triste sta na rua | Gold Music productions |
CD_111 |
2005 |
Batukaderas from Chão bom, outside Tarrafal. That is also where the Salazar regime´s concentration camp is situated |
|
Various artists |
Cabo Verde Dez granzin di
tera |
Tradisom |
VS11 |
1998 |
From the Expo 98 participation |
| Various artists |
Music from Cape Verde |
Caprice Records |
Cap 21451 |
1994 |
(Nacia Gomi) |
|
Various artists |
Cape Verde an
archipelago of music |
Ocora |
C 560146/47 |
1999 |
|
|
Xubenga |
Terrero |
Lusafica |
02303-2 |
2000 |
Elegantly including electric guitar,
saxophone, clavier. A good start for people not yet accustomed to
batuku. My favourite! |
|
Nha Minininha |
Rainha di batuku |
MR Music Pro |
|
2000 |
Traditional song, but heavy instrumentation. I like
it, though. |
|
Orlando Pantera |
Orlando Pantera |
bootleg material |
|
2000? |
pirate recordings 2 CDs by the late talented creator
of the new “batuku wave” |
| Various artists |
Ayan |
Praia Records |
Praia001CD |
2002 |
Princezito, Djingo, Vadu, Tcheka |
|
João Cirilo |
Pô di Terra |
|
LP |
198? |
this is one of the first examples of the generation
of post-independence musicians |
|
Tcheka |
Argui |
Lusafrica |
|
2003 |
|
|
Vadú |
Nha Raís |
Praia Records |
Praia CD002 |
2005 |
|
Want to
read more?
The following books give an in depth knowledge of the batuku tradition.
You need no more excuses to learn kriolo, French, and Portuguese!
|
|
Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde | Unpublished
thesis for the degree of Doctor of Philosophy at Brown University |
1997 | Well
written, and the most complete description in English of this
tradition |
| Monteiro,
Vladimir |
Les musiques
du Cap-Cert |
Chandeigne 2-906462-48-9 |
1998 |
|
| Osório,
Oswaldo |
Cantigas de
trabalho. Tradições orais de Cabo Verde |
|
1980 |
incl.
single w/author singing trad . songs. |
| Silva, Tome
Varela da |
Finasons di
Ña Nasia Gomi |
ICL |
1985 |
|
| Silva, Tome
Varela da |
Konparason di
konbérsu (1 280 ditadu y senténsa tradisional) |
ICL |
1997 |
oral
tradition |
| Silva, Tome
Varela da |
Ña Bibiña
Kabral - bida y óbra An article probably based on this book is published here |
ICL |
1988 |
Bibiña
died some years ago. |
| Silva, Tome
Varela da |
Ña Gida Mendi
- simenti di onti na ^con di mañan |
ICL |
1983 |
Born ca.
1897, this woman sang in the probably oldest way ever recorded |
| Silva, Tome
Varela da |
Tenpu di tenpu (1.168 dibiña
tradisional Vol.
I |
ICL |
1992 |
|
| Vasconcellos, Ernesto J. De C. E | Archipelago de Cabo Verde Estudo elementar de geographia phisica, economica e politica | Centro Typographico Colonial, Lisboa | 1916 | Interesting early notes on music and dance. A few pages now available as pdf document on: http://home.no/caboverde/Vasconcellos_100-123.pdf |